Innovations to the Vertical Reduction Mammaplasty: Making the Transition

Abstract

The vertical reduction mammaplasty can be challenging to learn. In addition, first attempts to perform the vertical reduction mammaplasty can lead to inconsistent aesthetic results. The authors describe their transition from a traditional inverted-T reduction mammaplasty to a modified vertical reduction mammaplasty based on a technique described by Elizabeth Hall–Findlay. In their early cases using the Hall–Findlay technique, they noted several aesthetic complications. These problems included a persistent vertical dog-ear deformity at the nadir of the incision, a teardrop deformity of the nipple–areola complex, lateral deviation of the nipple, and lateral axillary fullness. They developed several modifications to the Hall–Findlay technique to correct the aesthetic deficiencies and to simplify further the vertical reduction method. The authors think their innovations facilitate the transition from a traditional inverted-T breast reduction to a successful vertical reduction mammaplasty technique.

In Brief

In converting from the inverted-T reduction mammaplasty to the Hall-Findlay vertical approach, the authors encountered aesthetic complications, including a dog-ear at the nadir, a teardrop deformity of the NAC, lateral deviation of the nipple, and lateral axillary fullness. Several modifications in technique ameliorated these complications.